Family Scrapbook: Secret Cajun Band, the next generation (2023)
The Secret Cajun Band (SCB) is a St. Louis ska-band I became obsessed with in the 90s. Marty knew the guitar player from her high school days and asked me to go with her to a small concert they were doing. I said I didn't want to go. She said she didn't want to go alone and asked me to go as a favor. So I went, but under protest. After the first five notes from the first-ever song I heard from the ...
last time i was in steamboat the music repeatedly playing in my earbuds was greatful dead's American Beauty. the final episode of freaks and geeks, which i watched shortly before my trip, made mention of this album as being one of the best ever (per the speaker's sense at least). this time while gliding down the same runs, katzenjammer's (a band i recently linked to) songs played on repeat all week. i came to learn of them through a colleague who sent me a link saying "these guys remind me of secret cajun band"--definitely not a sentiment one hears everyday nor one that would fail to garner my attention.
i've been in a state of mourning since the SCB crated their horns for the last time and i had essentially given up hope in finding someone with the a like stage presence and quirkiness. after giving the initial song a listen i had to concur, fully. not only was the sound reminiscent but the energy as well. intrigued, i continued listening and must say the catalog only improved the deeper i dove. rich and diverse stuff.
so i've prepared a modest katzenjammer concert for your end of week enjoyment. i think the below videos do a fair job at showing these young women's breadth of talent and range of personality. i'd recommend both of their albums (a kiss before you go & le pop) as plenty of head-bobbing and finger-drumming goodness exist in each. in no real order.
rock-paper-scissors
while there are better produced versions of this song (official video, studio version, solo version), i like the simplicity of this acoustic version which seems to have been done essentially in someone's driveway.
and anyone who knows me would know i'd be smitten with a song containing the following message for the lyrics alone.
everything you want, everything you do, everything and anything is up to you
every single day starts with a riddle, you can go left or right down the middle
so take a little trip down a road and see what you're gonna find who you want to be
but you might have to pick between these three
rock-paper-scissors
which one is it, it's your decision
and no matter what you choose, you're going to live it
rock-paper-scissors
last weekend the family of erik rogers held a memorial reception and concert in his name. after the event marty said to me that was the best memorial she'd ever been to and was certain it was what her father meant when he used to talk about how he wanted party, with a keg, instead of a funeral. i would agree that this was something special and thoughtfully and lovingly crafted.
it began with a open-bar, reception in a storied concert hall where people from all over the country who hadn't seen each other in as much as a decade shared time again. after an hour of cocktails, people were moved into the concert hall. here, people from different eras of erik's life went to the stage to share memories and emotions about erik. between these remembrances a remarkable jazz triplet played music from some of erik's favorite artist while his own saxophone sat in its stand on the stage.
the founding members of the secret cajun band were one of the first groups to speak. eddie o'neill, known by scb circles as swamp daddy, evoked laughs and tears with his memories of his friend since their boyhood years. after the event i asked eddie/swamp if he would share his writing with me and if he minded if i shared in on my site. his swamp-like response, "share it with the world!"
My Friend from Across the Alley
By Eddie O'Neill
On a hot August day in 1982, the moving van pulled into our new house in the 6600 block of Kingsbury. University City MO. We had arrived from Virginia. I was ten years old. It didn't take long before someone had given my parents the "there are a couple of boys in the neighborhood that your kids could play with report." The list as I recall ended at two. There was Eddie Fairchild a few houses down on Kingsbury and Erik Rogers who live behind us just across the alley in the 6600 block of Waterman.
Eddie Fairchild didn't cut the mustard. I remember he came over once and I thought he was a little strange bordering on nerdy. However, Erik Rogers was okay. Our connection was sports - he liked sports; I liked sports. And thus began my close to thirty year friendship with my pal who lived just across the alley.
Some of those early memories of Erik and I being together consisted of going to St. Louis Steamer indoor soccer games outings organized by our dads. There was underlying tension of sorts in those early years due to the fact that I went St. Roch's grade school and he went to the public junior high, Britney Woods. Neither of us knew where the other was coming from. He probably thought that we Catholic schoolers had our rosaries in our hands and were on our knees in prayer for most of the day. At the same, I had no idea what kind of raucous activities went on at public junior high.
Sometime during those first few years in St. Louis, Erik's Dad installed a basketball hoop on the back of the family garage. When I heard the ball a bouncing after school I would usually head out back. We spent a fair amount of time together playing horse or tips or a variety of other games that we would fit the small confines of the 6600 block alley. Conjuring up strange sports with bizarre rules would be a reoccurring pastime for me and my U City cronies throughout much of me formative years.
Another connection that Erik and I had was music. I took up the trumpet as a freshman in high school and he played the saxophone. He was much better than me at his instrument. In short he took practice much more seriously. There were a number of times on warm summer evenings with our windows opened when we practice together trading riffs from house to house. I can recall him introducing me to something called the Jazz Fakebook - a thick tattered, worn spiral bound book that had the transcriptions to every imaginable jazz classic you could imagine. And he knew just about every one of them.
Erik was a man who sought authenticity and truth. He would have much rather listen to the sounds of John Coltrane than the new saccharine jazz of Kenny G. He was a man of convictions and he knew what he wanted and was willing to do what it takes to reach those goals. Second place wasn't an option for him.
He was a gentleman who liked to have things clean and in order. He wore his shirts tucked in. He was never one to put you down because you weren't as good at something such as athletics or music. He respected you for where you were at.
As I reflect on those teen and college years, I cherish those memories. I am so grateful for all my U City neighborhood pals. As I look at my own family situation, I'm not sure my two boys will have an Erik Rogers to pal around with. These days real friends have been replaced with an endless list of Facebook friends. And Wii baseball in the comforts of one's living room has taken the spot of backyard whiffle ball on freshly cut grass.
While we grew up and went our separate ways, Erik and I kept in touch here and there, always picking up from the last stale sarcastic joke where we left off.
I was shocked when I got the news that Erik was unresponsive in a hospital in Kansas City. These things aren't supposed to happen. Thirty something dads with two little precious girls aren't supposed to die while trimming trees on a Sunday. Why Lord? What are you doing here? This doesn't make sense.
And as I shook my fist at the heavens angry and in disbelief, two silver linings have come to mind. First, I was touched by the fact that he has given new life to a number of people who have his organs. Someone can now see clearer or get off dialysis because of Erik. Death has brought new life.
As well his accident and his death are a wakeup call of sorts for us that life is so, so precious and it can be taken away in the snap of finger. It is a reminder to us what's really important such as family and friends.
I haven't been back to the old neighborhood in a while. I suspect that the old basketball hoop on the Rogers garage has long since been taken down. But the memories of my first U City pal, Eric Rogers won't go away I just wish they didn't have to end so abruptly.
always my answer to what kind of music do you like.
in the early 90's a former high-school classmate of marty's invited marty and i to a concert. the friend's name was ligaya and her brother's band was performing in a local venue. as for me, i never met this ligaya NOR did i know anything about this band AND i had recently sworn off loud and smoky bar scenes so was highly unenthused about event. marty wanted to see her friend but didn't want to go alone so asked, kindly, if i would take one for the team and go with her. i relented.
upon seeing us arrive, ligaya waved us to some seats she had near the stage of an intimate local venue (the duck room of blueberry hill). ligaya proved to be a charismatic and engaging young woman. she and i quickly discovered a shared fondness for latin american literature and began exchanging thoughts on books and authors. while ligaya and i lost ourselves in our impromptu book chat, marty caught up with other old friends also at the table. so compelling was the ligaya time, (coupled with the fact i was facing away from the stage) i lost track of time and my surroundings for while ligaya and i were deep into borges, the band had taken their places on the stage, donned their equipment and were primed to play. so it was without warning that the sentence i was in the middle of was interrupted by the distinct clap of drumsticks as the drummer called out one-two-three-four in unison with the clicks. hearing this call, i turned towards the stage. i found i was sitting less than three feet in front of the horn section of a six-piece band. before i could blink twice to adjust my eyes to the stage lights, the horns let me have it. if my hair was the kind of hair that moved, it would have moved. before the first song was over, i had become the most ardent fan this group would ever know.
their name was the secret cajun band and they were a lively ska band comprised of young men that were every bit as lively and interesting as the songs they wrote and performed. their act was indescribable. it was a constant sea of unpredictable motion and antics. you'd constantly marvel at their ability to play an instrument while skipping merrily across the stage or balancing one-footed on a speaker or running, vigorously, in place. halfway through the show they were soaked through with sweat but the fans were even moreso as they were also driven to motion and excitement through the raw energy that emanated from the stage.
after that first night where those horns transformed me, i never missed a local show. their cassette (it was in the early nineties, mind you) was the only tape my car stereo played for more than two years. i, and at times marty, became a mainstay at a scb concerts. i'd help them carry equipment in or out, i'd watch the merchandise table, i even once was called up on stage to help sing big house with skip and skank with miguel. through my constant and doting presence, i came to know the band members. as for them, they grew up together and had a camaraderie and comfort i'd think all young men, lacking such pals, covet and i was surely no exception. they were such a colorful and quirky lot my relationship with each proved unique. some were easy and light, a few strained and awkward, a couple grew mature in time.
one of the relationships, the one i want to speak of today, was with the lead singer, erik, referred to as Skip by his bandmates. erik was a charming and handsome young man with lots of quiet charisma. add to this a soulful ability on the sax and top it all off with a distinct and strong singing voice. to an awkward musically incompetent fanboy like me, erik was just about everything a young introvert could hope for. in time, erik, marty and i became friendly. after shows we would sometimes sit for twenty minutes and after praising the night's production would talk about any and all topics. on a few occasions we went out to eat after a show. these would inevitably be at some all night diner where we'd continue our talks over soggy burgers and even soggier pancakes. on these more involved outings a common conversation point was relationships. in hindsight i got the sense that erik admired the straight and simple relationship marty and i shared just like i admired the exotic and famous lifestyle i imagined he lived. i still remember those late night conversations in those overly bright diners (extra-accented given where we just came from) like they happened five days ago and not fifteen years back.
the reason i bring this up is that erik rogers died yesterday. those of you who knew him, or his family, may have been keeping up on this, but a few weeks ago erik fell off a ladder while working in his backyard and was gravely injured in the fall. at the time of this accident, he was long past the music scene and was a working man and the father of two young girls. while it's obviously hard to see any young person unexpectedly pass, especially a father of young children, it is extra hard to loose those that were so bright with life and promise. completely heartbreaking.
i leave you with some of my favorite erik-sung cajun band songs from their big house album:
the secret cajun band site went public yesterday. while the site is not quite baked, i guess it's more baked than the previous site. I simply got the order to put it up so up it went. it is still missing some content (i.e. photos, tour dates, order form) but guess most people will be able to figure it out.
if you are looking to burn a couple of minutes, i'd recommend visiting the quotes page. nothing, other than their actual music, will give you a better flavor for the palatial characters that made this musical entourage up. The below picture, from the inside sleeve of the liquid monkey cd, also goes a long way in defining these fellows. The guy on the left is the trumpet player, swamp daddy, and the dancing girl is the guitar player's sister, gaya. Had this picture been entered in the everyman contest, it would have had more than a sporting chance on going home with honors.
miguel was over during the weekend putting the finishing touches on the secret cajun band site. i had commented that i thought the same people who name ska bands (alcoskalics, skatalites, skarlatines, alaska and so on) were the same people who named pornographic films (tool of the nile, for your thighs only, forrest hump, romancing the bone and so on). he said the band would on occassion try to come up with the quintessential ska band name. it was dogger in the end who coined what would be considered by all to be the alpha option. all i know is that i'd stand in line in the rain, on a work night and deathly ill to obtain a ticket to see a band named Malcom Skamal Warner.
Do you know what the USLPA is? Odds are your kids do. The United States Land Polo Association is all the rage among a young generation. The sport that coined the warcry "Gas, grass or ass...No one scores free" is back and stronger than ever. Here you will find excerpts from the 1996 Land Polo Turkey Tournament Program.