Some people like westerns, some like thrillers or books about crime or war. I love literary portraiture. Stories about people. And I don't even care what they are doing. One of the quotes below describes the start of a game of checkers but even that is riveting and beautiful when in the hands of this author.
Faulkner shows that if you pick at anyone long or deep enough, you will find all people are deliciously complex. What is special here is Faulkner's ability to excise the most exacting of details from a moment or a person. The precision puts you there, in the room or mind. It's like you lived it yourself.
Admittedly, these are not easy reads. You have definitely got to let yourself fall into the flow of Faulkner's language and approach. But if you can give yourself to it, once the fluency sets in, I promise you will lose yourself to it and are no longer reading words but experiencing them.
Love, love, love it/him.
In addition to the gray cloth cap and the gray trousers, he wore not only a clean white shirt but a necktie--a tiny machine-made black bow which snapped together at the back with a metal fastener. It was not two inches long and with the exception of the one which Will Varner himself wore to church it was the only tie in the whole Frenchman's Bend country, and the from that Sunday morning until the day he died he wore it or one just like it (it was told of him later, after he had become president of his Jefferson bank, that he had them made for him by the gross).
Snopes led him toward the door, pushing him on ahead, the other moving obediently, looking backward over his shoulder at the block with its two raked snuff tins dragging at the end of the filthy string, the block about to lodge again behind the same counter leg though this time Snopes kicked it free before it stopped. The hulking shape--the backlooking face with its hanging mouth and pointed faun's ears, the bursting overalls drawn across the incredible female thighs--blotted the door again and was gone. Snopes closed the door and returned to the desk. He spat again into the sandbox. "That was Isaac Snopes," he said. "I'm his guardian. Do you want to see the papers?"
She simply did not move at all of her own volition, save to and from the table and to and from bed. She was late in learning to walk. She had the first and only perambulator the countryside had ever seen, a clumsy expensive thing almost as large as a dog-cart. She remained in it long after she had grown too large to straighten her legs out. When she reached the stage where it almost took the strength of a grown man to lifer her out of it, she was graduated from it by force. Then she began to sit in chairs. It was not that she insisted upon being carried when sent anywhere. It was rather as though, even in infancy, she already knew there was nowhere she wanted to go, nothing new or novel at the end of any progression, one place like another anywhere and everywhere.
He watched the other cross the room and lift from amoung the shadows in the corner a short, broad piece of plank. From the shelf above it he took another tin can and brought them to the table. The board was marked off with charcoal into alternate staggered squares; the can contained a handful of small china and glass-fragments in two colors, apparently from a broken plate and a blue glass bottle. He laid the board beside the lamp and began to oppose the men. The cousin watched him, the tumbler arrested halfway to his mouth. For an instant he ceased to breathe. Then he breathed again. "Why, sholy," he said. He set the glass on the stove and drew up a chair opposite. Sitting he seemed to be on the point of envloping not only the chair but the table too in a collsapsing mass of flabby and badly filled flesh, like a collapsing balloon.
When the Texan, picking his teeth with a splintered kitchen match, emerged from the house twenty minutes later, the tethered wagons and riding horses and mules extended from the lot gate to Varner's store, and there were more than fifty men now standing along the fence beside the gate, watching him quietly, a little covertly, as he approached, rolling a little slightly bowlegged, the high heels of his carved boots printing neatly into the dust. "Morning, gents," he said. "Here Bud," he said to the little boy, who stood slightly behind him, looking at the protruding butt of the pistol. He took a coin from his pocket and gave it to the boy. "Run to the store and get me a box of gingersnaps." He looked about at the quiet faces, protuberant, sucking his teeth. He rolled the match from one side of his mouth to the other without touching it. "You boys done made your picks, have you? Ready to start her off, hah?" They did not answer. They were not looking at him now. That is, he began to have the feeling that each face had stopped looking at him the second before his gaze reached it.
"Eck, you done already picked out yours. So we can start her off when you are ready."
"I reckon not," Eck said. "I wouldn't buy nothing I was afraid to walk up and touch."
"Them little ponies?" the Texan said. "You helped water and feed them. I bet that boy of yours could walk up to any one of them. "
"He better not let me catch him," Eck said. The Texan looked about at the quiet faces, his gaze at once abstract and alert, with an impenetrable surface quality like flint, as though the surface were impervious or perhaps where was nothing behind it.
"Them ponies is gentle as a dove, boys. The man that buys them will get the best piece of horseflesh he ever forked or druv for the money. Naturally they got spirit; I aint selling crowbait. Besides, who'd want Texas crowbait anyway, with Mississippi full of it?"